Wednesday, December 29, 2010

Do the android dream of electric sheep and why would I care?

Nebula: Atomic Ritual (2003, Liquor & Poker)

    Second album of Nebula's psychedelic tryptic (preceded by To The Center and followed by Apollo), Atomic Ritual is an album that not only assumes the fact that it'll please sci-fi fans, but transcends it, makes fun of it, and does it well all simultaneously.

    Let's go over the mild parts first, because they will be meaninglessly stomped by the qualities of this record. The cover is a a cheesy graphic design piece that would be barely good enough for the 12th re-edition of a weird Lovecraft meets Moorcock meets Asimov and Nostradamus' bastard child fanfic space opera (which 13 year old boys might appreciate nonetheless). The lyrics/titles (when payed attention to more than as an added melodic line, which they're not intended for) are not much more than an uninspired rip-off of the previous authors, mixed in with a bit of californian epicurism. Finally, Eddy Glass' voice strangely oscillates between an upper-register Ozzy and a growly Mark Arm, which might bother some.

    If you're willing to put all those aspects behind you, the music equivalent of a winter wonderland will be opened to you - imagine a soundscape, covered in riffs. Like a prayer to Mudhoney, The Stooges, Hawkwind and Black Sabbath, Atomic Ritual is referential without ever stagnant, hyperactive without ever reaching the Mars Volta, and varied. Songs, which range from 3:00 to 9:42, might go from an upbeat psychoblues jam to a downtempo atmospheric in seconds, or develop a riff for the whole song Dopesmoker style.

    The first wave to hit you are the guitars, provided by the ex-Manchu Glass, building layers & layers of glorious tone(they did go a bit haywire on the overdubs, sometimes with simultaneous solos, multiple rhythm parts and the like). With the classic stoner rig (SG, fuzz, phaser, wah, Marshall stack), he delivers all of the headbanging knowledge he left Fu Manchu with, but this time drenched in psyche-rock juice (noises, self-oscillations and is that a wonky filtered organ I hear in the background?).

    Even if the guitars are more than reason enough to try this record, it shouldn't take to long to notice that the rhythm section is at least as worthy as melodyman Eddy. Providing a more than necessary backdrop and low end to the record (the guitar has typical boosted treble bite), they fuel the cosmic journey that is this record, going from exploratory tempos (that leave an opportunity for guitar excursions of the epic level) to a quick let's flee this hostile alien planet speed, all in a crash of cymbals, and with a touch of Spike (Cowboy Bebop) level class .

    Atomic Ritual, produced by legend Chris Goss, with its memorable artwork, heavy-yet-melodic riffs, and balanced spaciousness/richness, is the '00's Space Ritual. Beyond the obvious title reference, it is, like Hawkwind's early 70's masterpiece, a collage of pop melodies (acoustic guitars, piano), drug hazed atmospheres (DikMik, wherever you are, this record is a straight up tribute to your bleeps'n'swooshes), and fuzzpower. Dave Brock should be proud, Lemmy should be pissed (but isn't he always), and Ozzy should wish he bought a phaser for Tony for the '73 christmas. I'll certainly be enjoying this record many more times.




As I said, mixes every week (!!), reviews every 1st and 15th of the month. I probably won't have time to post anything on Jan. 1st, so you can count the "shortgoodquestionnable" mix and this review as a first installment.

JNCT

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Sunday, December 26, 2010

11 songs in 14:51 minutes: The Short, Good, and Questionnably Arranged ESS Mix

Very good songs are sometimes very short.

Here are 11 songs, all between a minute o'seven and a minute thirty eight. All of certain quality, maybe questionnably arranged.

Expect acoustic guitars, angry people, quasi-silence, tributes and jokes, not necessarily in that order or in specific combinations.




11 songs happen to be the lenght of mixes Flavio picked over at Payola. I have to admit it works pretty well. Thanks, Flavio



JNCT


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Review Grab Bag - Happy Holidays!

To all reading this blog: Merry holidays. May 2011 be full of fun and productivity for all of you

Here's a bunch of records I listened to this year, and my opinion, resumed in one line. This idea is shamelessly ripped off the Thundercurrent Express, maintained by my good fellow David Axel Kurtz. Please publish his novels.

FORMAT:

[band name]: [album name]
[short sometime offensive comment]

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Angel Eyes: Midwestern
like Isis or Neurosis, but enjoyable. Maybe I should give Oceanic another try.

Arc Of Ascent: Circle of The Sun
a good stoner rock record from New Zealand. Just in: copying Kyuss still works.

Belle And Sebastian: Write About Love
You'll love this if you wear flannel and leggings.

Black Diamond Heavies: Alive As Fuck
White Stripes - guitar + Organ x Lemmy = fun and a headache

Caribou: Odessa
Water pop - tasteless, but enjoyable from time to time. Keep some around

Jack White: anything he made this year
enjoy your revenge on hype

Dreamend: So I Ate Myself, Bite By Bite
Black Moth Super Rainbow goes acoustic not really - awesomeo

Dum Dum Girls: I Will Be
Enjoyment follows a logarithmic curve with time

High On Fire: Snake for the Divine
"I'll take the usual please. Wait - make that a double."

LCD Soundsystem:
Made for clubs. I don't go to clubs.

MTV: Lost Boy
Self production sounding like a load of fun.

Mogwai: Special Moves
Post Rock for dummies

Mono: Holy Ground
Goddamnit. Japanese rockers are the craziest.

Moonhearts: S/T
What does it take to sound honest these days? 29 minutes, apparently

Mountain Man: Made The Harbor
Vermont: good cheese, good music. Bonus points for recording a folk record in an old ice cream truck

No Joy
The single sounded so much more memorable than the album…

Pet Milk: Demo
What does it take to sound good these days? : 17 minutes, apparently

Rien: 3
Only the French could use post rock yet sound innovative and miles above the national musical average

Sleigh Bells: Treats
Proving that Lo-Fi sounds better unfinished

Sloath: S/T
Bonecrushingly relaxing

Soft Pack: S/T
Incredibly close to being perfect

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More to come. Expect an obnoxious end of the first year of the decade favorites list, as well as a short mix as soon as its uploaded.

MERRY WHATEVER. I love you all.

JNCT

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Wednesday, December 22, 2010

Untitled # (2+√5)/√5

 lets play a game. It's called spot the grinning mustachioed man with aviators and a star around his lefteye.

My computer tells me that it's three am. Explaining how I got precisely to the point at which I'm standing right now would be a boring and long story, truth is I'm just procrastinating - as of 20 minutes ago, I like Radiohead's OK Computer, ending a solid 5 years of vague indifference towards their repertoire generally and hatred towards Creep more particularly.

Anyways, an announcement: as soon as I am done with what I'm supposed to be doing at this very moment, and stop reading the procrastination page on wikipedia, I'll be posting mixes all over this place. One a week. every week. until next year. In a similar fashion, record reviews will be twice a month.

FOR THE SAKE OF SELF CONTROL.

BLARGH

JNCT
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Friday, December 3, 2010

Decembrrrrrrr

For those of you who haven't noticed, it got pretty fucking cold lately.

Chanukah, Christmas, whatever you do, you're probably going to listen to music anyways. Which is why you should get PAYOLA MIXES and your weekly dose of ElephantSpaceSnowstorm.

Doctor said so. Don't discuss with the Doctor, d'accuerdo?


To go with freezing your gonads off, here's a healthy dose of contradiction for you. Can you fit Fugazi and Eels on the same mix? How about Sleep and Vampire Weekend? Spacemen 3 and AC/DC? Well, I just did, and I think it sounds ok. This isn't a compilation for anything or anyone, it's just music, for you, when you want it. Little bites for the busy.







JNCT...